
Doing nothing for a living is not as easy as it looks. That was the militant message on Thursday in Italy, where artists’ nude models climbed back into their clothes and went on strike for better pay and conditions.
The protesters — male and female — said that they wanted "professional recognition" and full-time contracts. Only 50 of about 300 models at Italian art schools are on fixed annual contracts, with the rest hired by the hour.
Antonella Migliorini, 42, said that it was "a tough, cold job" posing in the nude, often for eight hours a day.
However, there will always be people willing to do it, despite the poor pay. "It can be rewarding to be immortalized as great art," said Rachel Campbell-Johnston, The Times’ chief art critic, who modeled for Eduardo Paolozzi and Euan Uglow.
"But it can also be extremely physically demanding. Rodin used to twist his models into painful positions and make them stay like that for hours. Lucian Freud demands that you turn up punctually day after day. It can take years and you can’t walk out halfway through."
The professional life model emerged with the rise of formal art schools and photography in the 19th and 20th centuries. The hiring of artists’ models has a long tradition in Rome, where it caught the eye of Charles Dickens in his travel book "Pictures From Italy." It took a nude protest in the 1970s to secure full-time contracts.
On Thursday the models kept their clothes on for a protest at a ceremony inaugurating the academic year at La Sapienza, Rome’s main university. The main speaker at the ceremony was supposed to be the Pope, but the Vatican canceled his visit because of alarm over student protests against his conservative views on science and ethics. About 30 models posed at the university entrance in imitation of famous art works, including Botticelli’s "Venus," Degas’ "Ballerinas" and Rodin’s "The Thinker."
Rossella Lamina, a spokeswoman for the trades union backing the protest, said that more than 60 art teachers in Rome, Florence, Venice, Carrara, Turin and Reggio Calabria had signed the life models’ appeal.
Ivo Bomba, a professor at the Rome Academy of Fine Arts, said that although art schools had recently been given university status they lacked the "financial clout" of universities and sometimes had to choose between hiring life models and paying for equipment and supplies.
Migliorini, from Florence, said that being a life model required "imagination and physical resistance." But art schools "do not show us much consideration — our privacy is violated. Once a group of about 30 Japanese tourists turned up and started taking photographs. I had to cover myself up quickly." She said: "You have to be examined by a commission of teachers who are supposed to judge what sort of person you are. In the end though they usually pick the pretty ones."
Asked if there was an age limit, she said that "most models are fairly young — but that’s a big mistake, since students have to learn how to draw the elderly human body as well as Venuses." Migliorini said that she was taking a degree in the history of theater as a fallback.
Nando Dalla Chiesa, an education ministry official, said he had agreed to meet the protesters. "We need to get to the bottom of this," he said.
Sketchy pasts
— The writer Quentin Crisp spent the war years as an artist’s model at Derby School of Art. He described the job in his 1968 autobiography as "like being a civil servant, except that you are naked."
— Cherie Blair sat for the painter Euan Uglow while she was a trainee barrister in her mid-20s. When she and her husband moved into public life, Uglow judiciously decided to avoid exhibiting "Striding Nude, Blue Dress" and it reappeared only in 2006, six years after the artist’s death. Her profile is distinguishable but the painting remains unfinished because Blair cut the sittings short to visit the United States.
— Kate Moss was depicted reclining naked on a bed in Lucien Freud’s "Naked Portrait 2002," painted while she was pregnant. The sitting was arranged after the model revealed in an interview that posing for Freud was one of her few remaining ambitions
— A retired art teacher was shocked in 2003 when she found a sketch she had made decades earlier and realized it was Sean Connery, aged 22 and in a loincloth. "When he modeled there were always lots of girls in the classes," she said.
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1 comments:
When I was a college student, in the sixties (yes, long ago), I was earning
some money as a (no nonsense) artist's model in regular art academies and
artists' ateliers. It was rather a "found" but "looked for" job, but it
solved very well the problems of a moneyless student as it required little
skill, little involvement, and offering flexibility and the possibility of
having always some money in the pocket. After all there must be somebody who
does it, and I shouldn't have been so bad for that job as I got somewhat
popular, as I had a regular figure where one could see muscles definitions
and skeleton, and thus easy to draw - let alone the fact I was a proper and
reliable professional too. I was nicknamed and known as "the circumcised
David" after the famous Michelangelo's statue of David, as I was said to
look like as it might have been the Michelangelo Model for that statue and,
differently from the statue, I was circumcised. So I sort of made the rounds. A romantic & "glamurous" job because its involvement with art and beauty?
Not at all!!!... it is very boring -- but that is why one is paied for
doing. I have come up to the conclusion that it is not a job you can carry
on for long, or be regulated, and from which one day you can retires. You
can do as long you are in demand and as long you can do it, and it is so
even more these days, as today everybody can be a model once: competition is
far fiercer. What I mostly liked of the job was the fact that it gave me the
chance to move in the world of the arts and artists, where I could met very
intriguing personalities and live interesting experiences. That is the real
value of it, for what concerns me. Once i got graduated, left the job for a
completely different career: all that remained of it are remebrances a few
stories I wrote of those times. That is my experience in a nutshell. (a pic
of me of those times showed at: http://www.namir.it/GIOCONDA/noto.htm )
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